Sunday, October 26, 2008
The Ethos of Biden
Sen. Biden tries to establish his Ethos as most of his campaign has gone, be examining the ethos of Sen. McCain. Both candidates fail to answer the question for more than a few seconds. The question asked was about their own campaign promises, specifically ones they can't keep. Biden addresses this in 0:16-0:24 only (being 8 seconds longer than Gov. Palin's initial response spent on the question). The rest of his response talks about what his opponents are going to do, as if to establish that he, by not doing any of this, has the nations best interest in mind.
Tuesday, October 21, 2008
Sunday, October 12, 2008
WP#1 Hey Mr. Driver Man, Don't Be Slow
It was a sunny Saturday afternoon at the bus stop. The kind of afternoon that made you regrets getting on a bus. The green grass and blue sky had all the vivid color of a six year old's rendition of a landscape using a Crayola eight pack. As I sat there listening to all the cars roll by on the surprisingly busy street I noticed a common theme. Everyone was in Red. It was game day in Lincoln, Nebraska. Most people just had red accents to their clothes, some had full blown costumes as they sat at a stoplight with their red clown wigs and face paint, othe
These people seem to be the only ones aware of the terrible traffic and complete lack of parking spaces that would befall any who chose to drive downtown to watch the football game whether at a bar, restaurant, or the Stadium itself. “Don’t go downtown on Saturdays. Just don’t do it” had been uttered to me hundreds of times it seemed since my arrival in Lincoln a little more than a year ago. Not only that, but I’d been told by teachers in classes, not to drive down to the game, “take a bus, it’ll save you money, it’ll save you time finding a parking spot, and it’ll save the environment!” This seemed like sound advice to me. And as such I expected there to be a crowd huddling together in the aisles waiting until they got as close as they could to their final football watching destination.
The people on the bus seemed familiar as well. The guys, talking quietly about college football and people they knew having varying relations with each other, seemed well practiced at taking the bus to the game. The slight slur in their speech patterns told me they had already engaged in a pregame ritual of downing large amounts of cheap alcohol before having to buy beer at the stadium or bar where they’d watch the seemingly all consuming game. The old woman on the other hand hadn’t the faintest hint of the Husker fanaticism that permeated the streets save the crimson blouse covered by a white knit shawl. She sat hardly moving straight ahead out the front window. There was a cold focus on the slightly inebriated boys sitting next to her was vaguely apparent to me sitting
I watched as the people, one by one got off as we approached downtown, all with
Sunday, October 5, 2008
Have you seen Children of Eden?
In the beginning (of the bible) there is a book called Genesis.
Some people think it's litterel truth, this is called Young Earth Creationism. This philosophy says that the world is only thousands of years old and created in seven days exactly as the book of Genesis.
Some people believe, however, that it's an allegory. It's a story to convey a bigger point. That it isn't historical but delves deeper into what it means to be human. In this sense it isn't too far from Plato's writings about Socrates' dialogues. Stephen Schwartz is apparently one of those people.
Children of Eden is the story of the first book of Moses, commonly referred to as Genesis. It musically portrays the story of Adam and Eve in the Garden of Eden, their exile, and the story of thier family in the wasteland. It then jumps to Noah near the completeion of the Arc and ends in The Family seeing land.
It isn't a word for word recount of the biblical story, but a reinvigouration of a story that helps us look back and examine ourselves. It depicts, oddly enough, God as the main antagonist. God wants to keep his children safe and happy. However safe and happy means no choice. It subtly asks what the definition of Good is if there is no bad? The garden, to Schwartz, is a world where Lao Tzu wouldn't have made any sense. But a post apple Adam and Eve are exiled to a wasteland but able to recognize the beauty of what little they have. Cain, the first son of humankind, grapples with a question that haunts us even today: Should I live for myself or for God. Adam is steadfast that his family needs redemption from God. Abel believes he should follow his father, and Cain beleives that a God that doesn't tell you what to do shouldn't be obeyed and decides to strive for truth and fight anything in his way.
As Adam, Eve, Cain, and Abel fight with the basic and universal questions about thier relationship with God, the second act dealing with Noah and his family deal with issues of a life without God. God has condemend the world, and a group of people (the decandants of Cain) who have done nothing wrong, and all the animals who can't find a mate (namely the unicorn). Noah wants to be a good son and follow his father as Abel and Adam before him. He also is confronted by his own responsibility as a father. That as God is responsible for him, Noah is responsible for his sons. Noah realizes that the hardest part of loving is letting go. This is a universal theme not realized by ANY of the characters especially the all knowing Father (God) until his frail and mortal son decides to live for himself and his own. This is a universality of the Musical that makes it as important if not more important to a non-religiocentric audience. If you're looking for a feel good sunday school pagent, look elsewhere. But if you're looking for an emotional, universal story of family, from the beginning of families, this is your cup of tea.
Sunday, September 28, 2008
Content and Form, Music and Video
NIGHT and WISH.
This video, came recommend by a friend, pseudo hippie organic music loving friend who is a big fan of Rachel Yamagata, so the intense metal quality took me by surprise. It had a hard Dragonforce quality to it, with a fast drumbeat that at once made the speakers on my laptop seem like tiny little bits of hail scratching a tin roof. The video too had a Dragonforce like twinge, beginning with the classic "aren't we friggin' sweet playing our instruments intensely?!" camera swings around the band's setup. As the hard drums lead to the lead singer's voice I was surpised twice more, not only by the operatic quality and the obvious vocal talent, but by the heavy scandanavian accent. This was not the band I thought it was.
The video then progressed to a shot of a man rowing on a boat. The boat looked as if it floated straight out of the pages of Beowulf or from one of the adventures of Cuchulainn (an ancient Irish folk hero similar to Achilles). There is a cloaked woman on the boat staring longingly out at the water. The gorgeous haze of the grey sky accentuating the woman's pale face by seperating it from the men on the boat. This was curious to me as the song was, though sung by a female vocalist, definetly about a man. As this thought crossed my mind a man appeared in what looked like a rock cell.
As the video progresed you see red sunsets siloughette the pale faced woman, dark shots of the woman in the forest, and even a shot of the woman as a shimmering image appearing before the imprisoned man.
As the end of the song came it brought with it a shot of the woman, walk towards the sunset and disappear before our eyes.
Explaination:
And as we delve deeper and deeper into the world, we see that the song isn't about the man like the words woudl superficially suggest, but about the woman. It's the woman's love song to her secret lover.
I feel that this is expressed by my focusing on the music at first, moving past the music to it being a story, then within the story focusing on the woman. The song and the video do not overtly explain my conclusion of it being the woman's song, but they subtly hint at it more and more as the video progresses, as I did with my 300 words.
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